October 1, 2011

A whole new beginning!

As the first month of DC's New 52 draws to a close, they put out a decent, if not overly strong, week of titles. Honestly, there were more hits than misses this week, but none of this week's titles really stuck out for me, aside from Aquaman.

Yeah, Aquaman. Go figure. The laughingstock of the sea has this week's strongest, in my opinion, book.

So, on to the reviews, and then I'll let you know which titles I'm keeping, which are in danger of being dropped, and which I'm definitely dropping. This is a feature I plan on keeping, and doing once all of the month's titles are out. That is, between the #1's and #2's, I'll do this, between the 2's and 3's, etc.

So, without any further ado, the reviews:


All-Star Western #1 – Well…it’s hard to really call this a western, honestly. The only western thing it has, really, is Jonah Hex. Everything else about it, from the location in Gotham to Dr. Arkham helping Jonah Hex, is distinctly…well, not western. All told, though, that is about the only real issue I have with this one. A nice mystery being set up, a serial killer targeting prostitutes, a mysterious society which may, or may not, be involved at some level, even Jonah Hex’s characterization all work together to create quite a nice little book. Something that took me a minute was the florid, purple prose at the beginning, with no accreditation. It’s not until you realize that it’s from Dr. Arkham’s journals that it all kind of clicks together and meshes. Of course Arkham would speak like that. It was nice, for me, to see some of the names mentioned, from Cobblepot to Cyrus Pinckney (Solomon Grundy.)…all of which gave me a little thrill each time I saw them. Jimmy Palmiotti’s art fits perfectly here, with a nicely limited color palette, which really evokes the 1880s when the story takes place. I look forward to the next issue immensely.

Aquaman #1 – I did not realize before going in that Geoff Johns and Ivan Reis were working this book. It feels, structurally, a lot like Green Lantern: Rebirth, in that Johns seems to be going for a revamping of the character. They’re aware going in, and highlight a lot of the jokes that have been made in the past about Aquaman, which was nice for me, honestly. I’ve never really gotten the hate. One of the things that worked for me here is how nobody, cops, criminals, citizens, take Aquaman seriously. And Ivan Reis’ artwork really captures his resentment at being treated like a lesser hero amidst Superman, Batman, Wonder Woman, etc, when it’s freaking obvious how strong he is. I mean, upending a secured van is no mean feat. The nicest thing about this issue? We finally find out how Aquaman manages to get by on land. All in all, a good issue, and I look forward to many more.

Batman: The Dark Knight #1 – Something I realized reading this issue was that DC has apparently decided to turn Batman into a kind of internal Chatty Cathy. I mean, he’s terse and laconic as Batman, but the narration boxes, usually from his point of view, go on forever! Anyway…here, as opposed to the other Batman titles, Batman is taking on evil, both as Batman and as Bruce Wayne. Look, I’m not even going to try to summarize or review this one. There are simply too many Batman titles where he is the star. I understand, Batman’s cool. He’s one of my favorite characters, and, more often than not, one I gravitate towards. But with ten of the New 52 titles focusing on or featuring him, I’m more than a little sick of it. I don’t even like the story set up in B:TDK, at least not the supervillain part. The GCPD part is intriguing, though, with Internal Affairs trying to figure out how Bruce Wayne is funding Batman and who in GCPD is giving him information. It’s a good mystery set-up. But, honestly, there’s no reason this story needs its own title. For me, calling the book The Dark Knight should imply more of a horror slant, or at least a thriller/noir-ish set up. I guess my biggest problem is that all of the main Batman titles feel absolutely the same. How would I do it, you ask? I’m glad you did. What I would do is this: Batman would be about the more fantastical, superhero-supervillain stories. Detective Comics would be about the mystery-solving detective Batman who, in all honesty, is rarely seen anymore. Batman and Robin I would use to explore the dynamic of how he interacts with all of his Robins, past and present. This one I discussed above. The other ones, where he’s just featured? I’d probably pull him from all but Justice League and JLI, honestly.